hnnywjg 发表于 2007-4-12 21:30:06

国画家——汪壮

<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center; mso-pagination: widow-orphan" align="center"><b><span style="FONT-SIZE: 18pt; COLOR: #990000; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt">国画家——汪壮</span></b><b style="mso-bidi-font-weight: normal"><span lang="EN-US" style="FONT-SIZE: 18pt; COLOR: olive; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt"></span></b></p><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; WORD-BREAK: break-all; TEXT-ALIGN: left; mso-pagination: widow-orphan" align="left"><span lang="EN-US" style="COLOR: olive; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt"></span><p /><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 21pt; LINE-HEIGHT: 16&#46;5pt; TEXT-ALIGN: left; mso-char-indent-count: 2&#46;0; mso-pagination: widow-orphan" align="left"><span style="COLOR: olive; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt"><font size="3">汪壮,男,<span lang="EN-US"> 1952</span>年<span lang="EN-US">1</span>月生,祖籍山东诸城,<span lang="EN-US">1993</span>年定居北京。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">1991</span>年拜<personname w:st="on" productid="师张立辰" />师张立辰</personname />先生为入室弟子。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">1991</span>年作品《残荷图》发表于《周易研究》。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">1992</span>年入中央美术学院国画系深造。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">1992</span>年作品《多子图》等作品发表于《当代》。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2001</span>年<span lang="EN-US">5</span>月<span lang="EN-US"> </span>参加北京艺术博览会,其参展国画作品获一等奖;</font><span lang="EN-US"><br /></span><font size="3">  作品《乘凉图》被组委会收藏。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2001</span>年<span lang="EN-US">5</span>月<span lang="EN-US"> </span>作品《吉利图》被人民大会堂收藏。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2001</span>年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>作品《吉利图》入选北京市第二届新人新作展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2001</span>年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>作品《两依依》获<span lang="EN-US">2001</span>年全国中国画作品展优秀奖。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">1</span>月<span lang="EN-US"> </span>作品《蔬香图》、《千金中流》、《秋声赋》被国务院管理局收藏。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">1</span>月<span lang="EN-US"> </span>其作品被毛主席纪念堂收藏。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">4</span>月《汪壮花鸟画册》出版。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">5</span>月<span lang="EN-US"> </span>参加北京艺术博览会获综合评比一等奖。作品《无猜图》被组委会收藏。</font><span lang="EN-US"><br /><font size="3">    2002</font></span><font size="3">年<span lang="EN-US">5</span>月<span lang="EN-US"> </span>作品《早春二月》入选<span lang="EN-US">2002</span>年迎奥运全国中国画大展。</font><span lang="EN-US"><br /><font size="3">    2002</font></span><font size="3">年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>作品《延年》被秘鲁国家第一副总统劳乌收藏。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">9</span>月<span lang="EN-US"> </span>作品《神仙贵寿吉祥》入选<span lang="EN-US">2002</span>年全国中国画作品展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">11</span>月由国家总书记题写刊名的《中国创新报道》创刊号以《汪家笔墨<span lang="EN-US"> </span>壮在精神》及《汪壮大写意花鸟画赏析》为题做专题报道。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2002</span>年<span lang="EN-US">12</span>月<span lang="EN-US"> </span>获东方艺术家协会会员作品展金奖。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">203</span>年<span lang="EN-US">3</span>月<span lang="EN-US"> </span>考入中央美术学院中国画系大写意高研班深造。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2003</span>年<span lang="EN-US">6</span>月<span lang="EN-US"> </span>作品《贵寿吉祥》入选第二届全国中国画展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2003</span>年<span lang="EN-US">7</span>月<span lang="EN-US"> </span>作品《黄昏》获全国中国画画家提名展提名奖。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2003</span>年<span lang="EN-US">12</span>月<span lang="EN-US"> </span>山东卫视《时代美术》节目专访并播出。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">4</span>月<span lang="EN-US"> </span>作品《贵寿无极<span lang="EN-US"> </span>贵寿吉祥》获<span lang="EN-US">2004</span>年全国中国画作品展铜奖。</font><span lang="EN-US"><br /></span><font size="3">  <chsdate w:st="on" year="2004" month="4" day="21" islunardate="False" isrocdate="False" /><span lang="EN-US">2004</span>年<span lang="EN-US">4</span>月<span lang="EN-US">21</span>日</chsdate />参加在北京人民大会堂举办的中国红十字会建会一百周年<span lang="EN-US">“</span>百年红十字<span lang="EN-US"> </span>百家书画情<span lang="EN-US">”</span>大型书画笔会慈善活动并捐赠作品。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">5</span>月<span lang="EN-US"> </span>应邀参加全国中国画名家邀请展,作品《纳凉》收入出版画集。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>应邀参加全国中青代国画名家作品邀请展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>应邀参加当代国际水墨画名家墨迹展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">8</span>月<span lang="EN-US"> </span>应邀参加全国中国画画家提名展。</font><span lang="EN-US"><br /></span><font size="3">  <span lang="EN-US">2004</span>年<span lang="EN-US">9</span>月<span lang="EN-US"> </span>于青岛在恩师的张立辰艺术馆举办汪壮大写意画展。</font><span lang="EN-US"><br /></span><font size="3">  <chsdate w:st="on" year="2005" month="3" day="22" islunardate="False" isrocdate="False" /><span lang="EN-US">2005</span>年<span lang="EN-US">3</span>月<span lang="EN-US">22</span>日</chsdate />参加全国节水办公室纪念世界水日在人民大会堂举办的公益笔会并捐赠作品。</font><span lang="EN-US"><br /></span><font size="3">  现任北京华夏诗联书画研究院副院长。</font></span><b><span lang="EN-US" style="COLOR: #003366; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt"></span></b></p><p /></p><p><font size="3"> </font></p>

hnnywjg 发表于 2007-4-12 21:32:35

<span class=\"tpc_title\"><strong>国画家——汪壮</strong></span><br /><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">汪壮说,人贵在真诚,无论画道仁道,人正是首位。一语道出这位山东汉子的气质。正是这种可贵的真诚和执著铸就了他的艺术。</span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">他是著名写意花鸟画大<personname w:st=\"on\" productid=\"家张立辰\">家张立辰</personname>先生的弟子,受到先生宽厚、豁达性格的影响,秉承了先生的水墨精、气、神。羡慕汪壮对水墨传统的悟性,敬佩他那过硬的笔墨功夫。</span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">大写意之于画,就其成就次第而言,略为三。一者画形为写,二者心写为意,三者心意为大。</span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">得其一者,未识门径。徒画其形而不识心意,或以文房四识为足,或以技法名称为圄。或辗转摹仿,步趋古人,画貌相状,而不会意境,或满目庐山侧岭竖峰而不识其真实面目。如人之认影作身,不辨真体,未知意趣。以画其形无心,故不名写意。</span><span lang=\"EN-US\" style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">得其二者,心意入画,写中寄情,寓意于形而传其神。所谓画者,意境也。境之于心而传其神。所谓画者,意境也。境之于心而发之表也。境本无心,身临其境而心有感。境本无意,心有所感而通其意。境本无情,感而遂通方有情。境本无神,感动有情而传神。会的此意,乃知画为心声,画由心写,画因意成,故名写意。</span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><font size=\"3\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\">然虽名写意,因不明真心妙用,其所写意境,偏而不圆,意不通达,未证实智,未臻妙境,故既知写意由心,当明心性三事。一曰体,心之性为体,其性湛然寂静,无形无相,不生不灭,如虚空广大无尽。故曰体大。心之现为相,含藏万有,变化万千,无所不相,故曰相大。心之能为用,能生万法,故曰用大。大心性之为体,能觉一切。大心之现为相,所现无量。大心之用所作,无所不能其极。心之体相用三者俱大,因名为大。起如是之心写意,以心无尽故意无尽,意无尽则写亦无尽,是名大写意。</span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></font></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><span style=\"COLOR: black; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-ascii-font-family: \"Times New Roman\"; mso-hansi-font-family: \"Times New Roman\"; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt; mso-bidi-font-weight: bold\"><font size=\"3\">如是写意,即心即画,即画即心,离心无画,离画无心,心画如一。</font></span><span lang=\"EN-US\" style=\"COLOR: white; LINE-HEIGHT: 150%; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></p>

hnnywjg 发表于 2007-4-12 21:34:10

<p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 16&#46;5pt; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><b><span style=\"FONT-SIZE: 16&#46;5pt; COLOR: #003366; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\">汪家笔墨 壮在精神<span lang=\"EN-US\"><p /></span></span></b></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 16&#46;5pt; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><b><span lang=\"EN-US\" style=\"FONT-SIZE: 16&#46;5pt; COLOR: #003366; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\">——</span></b><b><span style=\"FONT-SIZE: 16&#46;5pt; COLOR: #003366; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\">记大写意画家汪壮</span></b><span lang=\"EN-US\" style=\"COLOR: black; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><p /></span></p><p class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 16&#46;5pt; TEXT-ALIGN: left; mso-pagination: widow-orphan\" align=\"left\"><span style=\"COLOR: black; FONT-FAMILY: 宋体; mso-bidi-font-size: 10&#46;5pt; mso-bidi-font-family: 宋体; mso-font-kerning: 0pt\"><font size=\"3\">作者:中央民族大学美术系主任  高润喜<span lang=\"EN-US\"><p /></span></font></span></p><span lang=\"EN-US\" style=\"FONT-SIZE: 10&#46;5pt; COLOR: black; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA\"><br /></span><span style=\"FONT-SIZE: 10&#46;5pt; COLOR: black; FONT-FAMILY: 宋体; mso-bidi-font-family: 宋体; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA\">  二零零一年秋,汪壮从参展的数百位画家中脱颖而出,一举夺得国际艺术博览会一等奖。这位名不见经传的画家引起了首都美术界的关注。其实汪壮并非画坛新人,他是著名写意花鸟画大家张立辰先生的弟子,受到先生宽厚、豁达性格的影响,秉承了先生的水墨精、气、神。我羡慕汪壮对水墨传统的悟性,敬佩他那过硬的笔墨功夫。学生时代,张先生教我写意花鸟。他讲课思路清晰、要点突出。很多问题一针见血击中要害,学生反响强烈。此课结束后,我在学生宿舍过道的昏暗灯泡下,在曹力同学优雅的小提琴联系曲的<span lang=\"EN-US\">“</span>伴奏<span lang=\"EN-US\">”</span>下,整理出张立辰先生的讲稿,得到大家的好评。由于当时极缺花鸟画教材,这本讲稿曾在不少人手中传阅,甚至传到卢沉先生的手上。毕业后,我先后去过木樨园、东大桥、驹子房张先生府上求教,有机会继续欣赏先生的新作,聆听先生的教诲。从先生那里我领会到潘天寿大师的艺术精神。可以说没有张立辰的指引,我和汪壮不会那么快就弄懂中国画的章法和笔墨。汪壮在大写意花鸟画中苦研二十余年,熟练的掌握了水墨画技巧,创作了许多佳作。观者在其强烈笔墨对比的视觉冲击下感受着画家独特的精神,品味着画家的旺盛生命张力。无论画家精心勾勒还是漫笔涂写总是虚实相生、不拘成法。八大、昌硕、白石的笔墨精神常在他的笔下闪现,无论他的巨制、小品均透漏着苍茫古雅、淋漓畅快之美,写出了中国画的精神品格,给人以强烈的震撼。近几年来,汪壮的作品日益频繁的出现在各种大型画展中,佳评如潮。今年又获北京国际艺术博览会一等奖。北京晚报以醒目的标题<span lang=\"EN-US\">“</span>中国写意画家汪壮<span lang=\"EN-US\">”</span>介绍了他的艺术业绩。他先后应邀为人民大会堂、毛主席纪念堂以及海内外文化机构挥毫,成为颇有影响的当代中国画家。<span lang=\"EN-US\"><br /><br /></span>  旅英版画家海明多次专门拜访汪壮并互赠画册,切磋艺事。汪壮说,人贵在真诚,无论画道仁道,人正是首位。一语道出这位山东汉子的气质。正是这种可贵的真诚和执著铸就了他的艺术。<span lang=\"EN-US\"><br /><br /></span>  在五光十色的画坛,多少已有成就的画家中途<span lang=\"EN-US\">“</span>改戏<span lang=\"EN-US\">”</span>,断送了自己的前程。汪壮是位极有主见的艺术家,他对中国画的前景充满自信。画家一手伸向传统、一手伸向生活,做着采一练十的冶炼,努力用自己的笔墨去表达他对新生活的热爱和对艺术的痴情。汪壮过去不会赶时髦、今后也不会去赶时髦。他会毫不犹豫坚守自己的<span lang=\"EN-US\">“</span>笔墨阵地<span lang=\"EN-US\">”,</span>使古老的中国画传统再度走向辉煌。为此,我祝福、我期待。<span lang=\"EN-US\"><br style=\"mso-special-character: line-break\" /><br style=\"mso-special-character: line-break\" /></span></span>
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