hnnywjg 发表于 2007-4-28 21:53:11

清·扬州建隆寺方丈：汪明辰

<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><span style="FONT-SIZE: 17&#46;5pt; COLOR: #0000cc; FONT-FAMILY: 宋体; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman'">清·扬州建隆寺方丈：汪明辰</span></b><b><span lang="EN-US" style="FONT-SIZE: 17&#46;5pt; COLOR: #0000cc"><p /></span></b></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><b><span lang="EN-US" style="FONT-SIZE: 17&#46;5pt; COLOR: #0000cc"><p><font face="Times New Roman"> </font></p></span></b></p><p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font size="3"><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">汪明辰</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman">,</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">字问樵，曾向吴的弟子先机和尚学琴，他自己是扬州建隆寺的方丈（《芜城怀旧录》）。他</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman"> &quot;</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">精于琴理，夏日炽热，随手成曲，名《碧天秋怨（思）》，满座生凉。（《丹徒县志》）。道光初年（公元</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman">1821</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">）吴中一带盛行琴会活动，明辰也经常参加演奏。平生弟子甚多，入室弟子有秦维瀚和丹徒羽士袁澄（《墨林今话》）<!--ADV_CONTENT-->。明辰和尚从释家观点出发，经常对学生们说：</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman">&quot;</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">乐之音足以宣幽抑，释矜燥，远性情，移中和。使人神气清旷，襟抱澄静，超然如出人境，而立于埃氛之表者，惟琴焉</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman">&quot;</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">（《蕉庵琴谱</span><span lang="EN-US" style="COLOR: #2a2a2a; mso-bidi-font-size: 10&#46;5pt"><font face="Times New Roman">·</font></span><span style="COLOR: #2a2a2a; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-size: 10&#46;5pt">自序》）。他把弹琴当作超脱于现实的手段。</span></font></p>
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